“No Pulp Scenes on Raiuno!”. The Case of Cuori, an Italian Medical Drama on Broadcast Television

Authors

Elisa Farinacci
University of Bologna image/svg+xml
Emiliano Rossi
University of Bologna image/svg+xml

Synopsis

Since its inception, broadcast television in Italy has cherished and safeguarded its pedagogical vocation. Among its aims, Rai is compelled to provide a plausible and accurate (or verisimilar) representation of Italy’s national identity and sociocultural history throughout its programming. This function has been manifestly accomplished through the news and documentaries. In the last two decades, however, more experimentation has been carried out on TV dramas. A peculiar example is the 2021 medical drama Cuori (Riccardo Donna), co-produced by Rai Fiction and Aurora Tv, which aired on Raiuno’s primetime. Set in 1960s Turin, the series is inspired by true historical events regarding a group of Italian pioneers of medicine who revolutionized the field of heart surgery, experimenting with new techniques and challenging the limits of science of the time. Building on an extensive fieldwork research conducted on the set during the shooting of the second season of the series, we wish to focus on how a media company as Rai can adapt the format and narrative structure of a contemporary medical drama such as Cuori to its public service mission. We will address this issue from a production standpoint which will analyze the use of a multiplicity of historical sources and consultants to develop the plot, set design, costumes, and actor performances. Our preliminary findings show that a calculated blend of historical accuracy with the standards of the medical genre was set in place to appeal to a wide Italian audience.

Author Biographies

Elisa Farinacci, University of Bologna

Elisa Farinacci is junior researcher at the Department of the Arts of the University of Bologna. She earned a PhD with a double degree in History at the Department of History, Culture, and Civilization of the University of Bologna and in Cultural Anthropology at the Hebrew University of Jerusalem. At the Department of the Arts, she is working on the international circulation and reception of contemporary Italian audiovisual products. Since 2018 she has been part of the organizing committee of the Mediating Italy in Global Culture summer school. She is also collaborating with the Research Center on Media Education, Innovation and Education Technology (CREMIT) of the Catholic University of Milan where she is conducting research on the use of audiovisual products in educational environments. 

Emiliano Rossi, University of Bologna

Emiliano Rossi is research fellow at the Department of the Arts of the University of Bologna. He earned a PhD in Cinema, Photography and Television at the Department of the Arts, University of Bologna. His main area of interest is television, framed on a historical, social and productive level. He is responsible of Television and Web TV laboratory at the University of Bologna, and he also works as an adjunct professor at Padova and Bari University. In 2020 he was a visiting fellow at Lund University (tutor: prof. A. Hill). Since 2019 he has been part of the organizing committee of the Mediating Italy in Global Culture summer school. He collaborates with ATLas - Atlas of Local Television (PRIN 2020) and F-ACTOR - Forms of Contemporary Media Actorship (PRIN 2017). 

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Published

December 23, 2023

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Farinacci, E., & Rossi, E. (2023). “No Pulp Scenes on Raiuno!”. The Case of Cuori, an Italian Medical Drama on Broadcast Television. In S. Antonioni & M. Rocchi (Eds.), Investigating Medical Drama TV Series: Approaches and Perspectives. 14th Media Mutations International Conference (pp. 343-364). Media Mutations Publishing. https://doi.org/10.21428/93b7ef64.14f0c182