Biomedical Imaging and Rhetoric of Diagnosis in Medical Dramas and Docuseries

Authors

Alice Cati
Università Cattolica del Sacro Cuore image/svg+xml
Deborah Toschi
University of Pavia image/svg+xml

Synopsis

The article aims to investigate different representations and imaginaries of care in contemporary audiovisual products, with particular reference to popular cultural products such as medical dramas and docuseries. By analysing some case studies, two perspectives will be put in close dialogue: on the one hand, the position of healthcare institutions and doctors, and on the other hand, the position of patients. Despite their partly fictitious and rhetorical nature, these audiovisual products demonstrate the way illness and health are represented and imagined, which constitutes not only an aesthetic of care, but care as felt and experienced in and through some practices of the body. In particular, the authors will consider how medical dramas and docuseries represent new technologies, from diagnostic imaging to extended reality technologies, investigating how these techno-scientific innovations reshape the conceptualisation of the body, the image of illness, the perception of therapeutic practices, and the relationship between doctor and patient.

Author Biographies

Alice Cati, Università Cattolica del Sacro Cuore

Alice Cati is associate professor at Università Cattolica del Sacro Cuore (Milan), where she teaches Languages and Semiotics of Media Products and Audiovisual Languages. Her research areas concern film theory, memory studies, documentary, with a particular focus on self-representation, and transcultural trauma. Her recent publications include the Cinergie special issue, The Migrant as an Eye/I. Transculturality, Self-representation, Audiovisual Practices (with M. Grassilli, 2019); “The Vulnerable Gaze of the Migrant” (Alphaville 2019), “From Genealogy to Genetic Memory” (Comunicazioni Sociali 2020). She co-edited The Representation and Care of Illness with Silvia Casini and Deborah Toschi (Cinéma & Cie., 39, 2022).

Deborah Toschi, University of Pavia

Deborah Toschi is associate professor at the University of Insubria (Como). She graduated and earned a PhD at the Università Cattolica del Sacro Cuore (Milan), then became a researcher at Pavia University, where she is a member of the Self Media Lab. Writings, Performance and Technologies of the Self. Her main research fields are Italian cinema, gender studies and science and medicine’s visual culture, such as the recent monographic special number The Representation and Care of Illness. Visual Culture, Trauma and Medical Humanities (Cinéma&Cie, 39, 2022) co-edited with Silvia Casini and Alice Cati.

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Published

December 23, 2023

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Cati, A., & Toschi, D. (2023). Biomedical Imaging and Rhetoric of Diagnosis in Medical Dramas and Docuseries. In S. Antonioni & M. Rocchi (Eds.), Investigating Medical Drama TV Series: Approaches and Perspectives. 14th Media Mutations International Conference (pp. 313-329). Media Mutations Publishing. https://doi.org/10.21428/93b7ef64.65fb3b27