Queer and Mainstream: Tracing Heartstopper’s Reception via Digital Tools

Authors

Marta Boni
University of Montreal image/svg+xml

Synopsis

Netflix’s Heartstopper (2022) raises a paradox for queer television: does the series present, radically, a queer utopia, or does it merely serve commercial imperatives? Exploring this phenomenon with the help of digital tools, I will put forward a methodological discussion centered on the need of uncertainty as a core feature of the contemporary emotional structure, as well as a crucial caveat for any foray into the analysis of television.

Author Biography

Marta Boni, University of Montreal

Marta Boni is an associate professor in the Department of Art History and Film Studies at the University of Montreal. Her work covers theoretical and methodological problems linked to serial phenomena and their transformations in the contemporary panorama of digital cultures: TV series, transmedia, worldbuilding, and queer television. Along with various articles and book chapters on contemporary TV, she published Romanzo Criminale: Transmedia and Beyond (2013), edited World Building: Transmedia, Fans, Industries (2017), Formes et plateformes de la télévision à l’ère du numérique (2020), Intervalles sériels (with T. Carrier-Lafleur and F. Khazoom, 2021), and Perdre Pied. Le principe d’incertitude dans les séries (forthcoming 2023). 

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Published

July 10, 2023

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Boni, M. (2023). Queer and Mainstream: Tracing Heartstopper’s Reception via Digital Tools. In G. Avezzù & M. Rocchi (Eds.), Audiovisual Data: Data-Driven Perspectives for Media Studies. 13th Media Mutations International Conference (pp. 125-140). Media Mutations Publishing. https://doi.org/10.21428/93b7ef64.d0e0bbeb